The seventh edition of the biennial contemporary art exhibition Personal Structures encourages exploration beyond boundaries, fostering a broader perspective, and overcoming restrictions to promote personal, social, and global growth. It features a wide selection of artworks from internationally renowned and emerging artists, photographers, and sculptors as well as worldwide galleries and academic institutions, exhibited in the historical venues of Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens. The group show is intended to encourage dialogue, cultural exchange, and idea-sharing among its participants, exploring the themes of Time, Space, and Existence from a variety of perspectives.

On the tenth anniversary of the Ferguson Uprising and the galvanizing death of Mike Brown, the Echoes of Ferguson exhibition will open in Chicago, IL on August 9, 2024. This powerful and emotional retrospective examines the enduring impact of the Ferguson uprising and explores themes of grief, evanescent placemaking, memory, memorials, monuments, and resistance to state violence.

The exhibition, featuring the work of photographers Devin Allen, Jen Everett, Kris Graves, Jon Henry, Alexis Hunley, and Joshua Rashaad McFadden, documents the complexities of Black life. These artists become storytellers, echoing a movement that resists the social injustices reverberating through 21st-century Black and American life.

From August 29 to November 21, 2020, my exhibition "Evidence" was showcased at the Visual Studies Workshop (VSW) Gallery, a respected institution in the visual arts community. This exhibition expanded on my previous work in "Come to Selfhood," delving deeper into themes of Black masculinity, gender identity, conformity, and resistance. Featuring writings and conversations with notable figures like playwright Jireh Holder and actor/singer Dyllon Burnside, "Evidence" provided rich context and depth. In homage to Frederick Douglass, the exhibition was also a newspaper, distributed across Rochester, ensuring broad community engagement. The project was documented through photographs and writings, with press and reviews enhancing its impact and reach.

From September 24 to October 25, 2020, I was featured in the prestigious "2020 Aperture Summer Open: Information" exhibition at Fotografiska New York. Curated by notable figures from Aperture, the Magnum Foundation, and TIME, this exhibition showcased work by fourteen photographers exploring globalization, technology, and politics. My contributions examined race, memory, and digital information's hidden spaces, addressing critical societal themes. Documented through high-quality prints, the exhibition attracted a diverse audience and highlighted my impact in contemporary photography. The inclusion in this peer-reviewed, highly respected exhibition underscores my role in advancing discussions on truth, identity, and power.

From April 27 to June 16, 2019, I was featured in the "Woodstock AIR: Housed" exhibition at the Center for Photography at Woodstock (CPW). Celebrating the twentieth anniversary of the Woodstock AIR program, this exhibition showcased the work of photography-based artists of color, including myself, within the context of diversity, race, and social justice. The artist house, providing living and work space, inspired stunning and diverse works. Documented through high-quality prints, the exhibition was supported by notable organizations like the NEA and the Andy Warhol Foundation, highlighting the powerful contributions of underrepresented artists and reinforcing my commitment to social justice through photography.

I was honored to be part of the "Gathering Clouds" exhibition at the George Eastman Museum. This prestigious exhibition explored the role of clouds in photography from its inception in 1839 to World War I, juxtaposing nineteenth-century works with contemporary pieces. Featuring my work alongside historical figures like Alvin Langdon Coburn and contemporary artists like Carrie Mae Weems, the exhibition highlighted the evolving relationship between clouds and photography. Documented through high-quality prints and a comprehensive catalog, the exhibition was peer-reviewed and attracted a diverse audience, contributing to the discourse on the intersection of nature and culture in photography.

From October 2 to November 13, 2020, my work was featured in "Continuing the Dialog: The State of Photography II" at the Arts Center Gallery, Nazareth College. This invitational exhibition showcased 29 photography artists and educators from upstate New York, emphasizing the expansive nature of contemporary photography. The inclusion of my work highlighted its significance and relevance in the field. Despite COVID-19 challenges, the exhibition remained accessible to the Nazareth community, fostering engagement and dialogue. Documented through photographs and comprehensive records, the exhibition underscored the scholarly and creative contributions of the artists, reinforcing my role in advancing critical discussions on contemporary photography.